Length:
86 minutes
Release
Date: January 19, 2016
Rating:
R
Director:
Iain Softley
Mallory
is a not so happy young woman about to be married. She borrowed her
boyfriend's Bronco to take a road trip back to Denver for their
wedding and to give herself time to think things over. After a call
to her sister where she does a bad job of claiming that she's happy
and ready to take the plunge, she hops on a deserted stretch of
highway to continue her journey. When the car breaks down and she
can't get a signal to call for help, she worries about what will
happen.
That all
changes when a handsome stranger arrives. Christian makes small talk
before checking over the engine and getting the car running again.
Though she makes up an excuse for leaving him behind, she changes her
mind and decides to give him a short ride. He claims there's a nice
little hotel nearby where he wants to stay the night and get some
food. Still unsure of her future, Mallory suggests that she might
stay the night too, which brings out Christian's dark side.
After
talking about her sucking his cock and other lewd things, she tries
to make him get out, which leads to him pulling a knife on her. He
points out that the road is deserted and that the motel they are
going to is empty too. Mallory speeds up the car and tries to push
him out, but when he grabs the wheel, the car crashes. She wakes
upside down with her leg trapped. Christian returns, warns her about
fate, and tells her that she must find a way out for herself. The
longer they stay on that deserted stretch of road, the darker and
more sinister her traveling companion goes and the more she must
learn how to fight for herself.
Curve is
actually a pretty damn good movie and that's coming from someone who
isn't a fan of Julianne Hough. The film does a good job of setting up
why she might give some random stranger a ride. We hear the false
cheer in her voice when talking to her sister about her fiance, and
we see the frustration she feels when she finds random fliers from
escort services and strip clubs in his car. It's natural that she
might have second thoughts about the wedding and why a handsome
stranger might appeal to her.
Speaking
of handsome, Teddy Sears is perfectly cast in the Christian role.
When he walks up on the side of the road to save her, I don't think
there is a woman alive who wouldn't beg for his help. He plays the
perfect charming stranger, but he does equally well as a creepy
predator. It's like someone flipped a switch in his head that made
him go from lovable to terrifying in a split second. There's a glint
in his eye that makes you want to take a step back and get away from
the situation.
Hough
does a better job in this role than in any other film I can name off
the top of my head. Though she doesn't seem like the type of woman
who would drive a Bronco or even drive herself, you do believe her
struggles and actually want to root for her. She even gets a
disturbing scene where she has to kill and eat a rat just to survive.
While my
description might make you think that Curve takes place entirely on
the highway, it doesn't. We have to deal with scenes of Christian
being bad in another setting, him kidnapping some random people, and
of course, the big fight scene at the end. The addition of a new
setting and some new characters actually detracts from the film.
After spending so long getting to know Christian and Mallory, we
don't care about anyone else who might be in peril because we only
care about Mallory. I wish the big resolution came on the same
highway we spent 60+ minutes on.
Though I
wasn't a huge fan of the last 20 minutes or so of Curved, I thought
the first ¾ of the film was interesting enough to recommend it to
others.
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